Odour of Chrysanthemums vs. Cry of The Children

We live in a constantly expanding industrial society. though there ar certainly obvious benefits to this carriagestyle, in item in the realm of medicinal drug and technology, industrialization has farsighted been the written report of anguish and debate in society, particularly during the years surround the industrial Revolution. Of particular provoke was its effect on the merciful condition. In round(prenominal)(prenominal) the short grade ? odour of Chrysanthemums? by D. H. Lawrence and ?The bawl of the Children? by Elizabeth Barrett toasting, the authors engagement the descent mingled with personality and crusade to illustrate the various shipway in which industry greatly worsens gracious lives on a psychological level. To begin, Lawrence and toasting some(prenominal) use their pieces to say that industrialization leads to a deficiency of license in human lives. In some(prenominal) stories, nature is upliftn to command freedom, and is placed in hard line of reasoning with modern, change bearing. ?The password of the Children? depicts the harsh and hopeless lives of electric razor labourers with brutal detail. It begins with vivid and engaging imaging of an idyllic nature scene: ?The new(a) lambs ar bleating in the meadows/ The young birds and chirping in the nest / The young fawns argon sword bending with the shadows / The young flowers and blowing toward the west.? cook now establishes a connection amid happiness and nature, presenting young animals playing and universe joyful. The contravention between this scene and the rakes that hold fast could not be to a greater extent than obvious: ?The young, young electric shaverren [?] they are tearful in the playday of the others/ In the country of the free.? Browning makes this contrast savagely sporting: the electric razorren, unlike the animals that live in nature, live lives of sla precise, not freedom, and are thus short. D. H. Lawrence illustrates this same phenomenon very literally in ? olfaction of Chrysanthemums.? He depicts the life of a mine leader as scare away, joyless, and stick by routine: we see that it is a even position for the protagonist?s mineworker economize to scrape up home late from work and spend his currency acquiring drunk at a pub. ?Aye, it?s a comminuted thing, when a man can do nothing with his money provided when make a animate being of himself!? the miner?s father-in-law states bitterly. It is profit that he is unhappy and uses inebriant as a contour of escapism; the fact that he is trap in his life is mirrored very apparently by Lawrence when the miner is trapped in a cave-in at his job. Quite literally, his industrial line of work traps him. It is also make clear in some(prenominal) pieces that industry causes great sadness and melancholic in human lives. This is particularly evident in ?The telephone of the Children?, which shows how miserable and hopeless child labourers are: ? every last(predicate) day, the iron wheels go onwards/ Grinding life fell from its mark.? on that point is no way of life for happiness in the lives of child slaves. It is evident that they need disordered all hope- even ghostly faith is deceased from them. ?Is it apparent God, with angels singing ?round Him/ Hears our weeping any more(prenominal)?? they ask, in the lead claiming that ?He is slow as a winning into custody? in the face of their misery. in one case again, Browning uses nature imaging to illustrate her point: she calls for the children to ?Go out [?] from the mine and from the urban center/ Sing out [?] as the circumstantial thrushes do/ soak your handfuls of the meadow-cowslips pretty.? Contrasted against the happiness and freedom of nature, the phantom of the children?s lives waits all the more unbearable. In ?Odour of Chrysanthemums?, we charter that the miner?s only(a) and dull life lead to turned on(p) isolation and a overleap of human connection between his married woman, even charm they twain maintained the illusion of a loving relationship. stand up over his dead body, his wife reflects on their relationship: ?And she knew what a stranger he was to her [?] There had been nothing between them, and before long enough they had come to restoreher, exchanging their bleakness repeatedly. Each time he had interpreted her, they had been deuce spaced beings, far apart as now.? Lawrence reflects this unhappiness in his icon of the plants near the house: ?The palm were drab and forsaken [?] There were some twiggy apple trees, winter-crack trees, and torment cabbages.? Seen adjoining to the powerful engine which moves ?with loud threats of speed?, these plants seem particularly pitiful. The weakness of nature is used as an emblem to the melancholy of the individual in the face of industry. Finally, Lawrence and Browning both show that industry eventually causes the shoemakers last of earth, either literally or spiritually via a loss of will to live.

In ?Odour of Chrysanthemums?, the miner is literally killed by his job when he becomes trapped in a cave-in. This event stands as Lawrence?s ill warning against the shun effects of industrialization on human life. The miner?s death is symbolized by the titulary chrysanthemums, a vase of which rests in the house. The miner?s wife tells their young woman that her husband always brought her chrysanthemums to go on important events in her life; in this sense, the chrysanthemums stand as a symbol or reminder of the miner himself. When the miner?s corpse is brought covering to his home, we are told that there was ?a cold, deathly smell of chrysanthemums? in the room, which understandably represents the death of the miner. Browning also shows the death of humans due(p) to industrialization, but her concept of death is more psychological than literal. In ?The Cry of the Children,? she shows that the miserable reality of child slaves has led them to consentient give up on life. ?Alas, alas, the children! They are seeking / ending in life,? she says, describing how even if the slaves could get a chance to play and enjoy life by ?Sing[ing] out [?] as the teentsy thrushes do? or by ?plucking [their] handfuls of the meadow-cowslips pretty?, they would be as well as irresolute to do so. Indeed, the children themselves say that ?it is honourable when it happens [?] that we die before our time.? thereof does she make her point preferably clear: though the child labourers are not literally dead, they have been psychologically killed by industrialization. It is thus clear that both D. H. Lawrence and Elizabeth Barrett Browning use the contrast of the natural and industrial worlds to show that industry causes a lack of freedom, great melancholy, and death. Industrialization has long been synonymous with gain ground, but these two authors necessitate us to distribute that perhaps authoritative progress would actually involve taking steps past from industrialized society. BIBLIOGRAPHY?Odour of Chrysanthemums? by D. H. Lawrence?The Cry of the Children? by Elizabeth Barrett Browning If you want to get a across-the-board essay, order it on our website: Ordercustompaper.com

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